“Maybe all that stuff catches up to you in the end, the demons you think you’ve outrun, the bad memories you locked away in a metal box, and then you hid the box in a dark corner of the basement under a heap of dirty blankets, and then you moved far away and did your best to pretend you were someone else. But that box is always right there, right where you left it.”
When a mid-tier author is asked to speak at the dedication of a building in his father's name in the hometown he's estranged from, memories of grief and identity flood in. "Ghost Town" captures the wistful, melancholy nature of bittersweet recollection almost perfectly, interspersed with the summery vibes that permeate many coming-of-age stories.
“ … His mind empty, his body glowing with that peaceful, washed-out feeling you get after a really good day at the beach.”
This book was purchased during an anniversary-celebration trip to beautiful Duck, NC, and it jumped out based on my previous experience with "The Leftovers," which was based on another Tom Perrotta novel. The Jersey Shore -- another old haunt of mine -- was the ideal setting for this quick, relatable read.
The prose is incredibly wry, leaving you to wonder where and whether Perrotta meant to joke or examine at times. His exploration of big teenage feelings is subtle, resulting in the book feeling like a potential coming-out tale in places.
“I used to tell people that I had two writing careers, one for love and one for money, but I don't believe that anymore. The truth is, it’s all been one thing, just a bunch of variations on the only themes that have ever mattered to me.
“Ghosts and Orphans.
“Orphans and Ghosts.
“The ways we’re abandoned and never left alone.”
Much like the overall theme, "Ghost Town" was short and fleeting -- like an adolescent summer that you wished there was more of.
“It was beautiful but a little unreal, almost like he was pedaling through a good memory, a summer that had already come and gone.”
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