“I wanted to tell him that blood had always and would always lubricate the grinding gears of the universe.”
~“The Story I Tell is the Story of Some of Us” by Paul Tremblay
In many quarters, Stephen King's "The Stand" is the most iconic post-apocalyptic novel of all time. The sprawling story has inspired a legion of fans and creators, and "The End Of The World As We Know It" encapsulates its beloved status among established and aspiring writers.
“I wanted to curl up and cry for days–to just expel everything and then fade into the soil, to be recycled and fed into the earth so I could be of use to something again.”
~“La Mala Hora,” Alex Segura
Edited by Christopher Golden and Brian Keene, this collection of 34 tales set in the world -- or the aftermath -- of "The Stand" represents nearly every geography and perspective one might imagine. There are stories set in outer space and Pakistan, and from the perspective of children, animals, and the living dead.
“You did not understand that we were the new. God’s rejects were the change. We will remake the world into a thing you do not recognize. We will remake the world into a thing that works.”
~“The Devil’s Children,” by Sarah Langan
At nearly 800 pages, "The End of the World As We Know It" can be something of a slog, and the quality of the short stories can vary. Many were better in concept in execution, and novellas may have been a better format than short stories for some as well.
“He looked like the hero of a Springsteen song, but in every way he bled darker.”
~“Keep the Devil Down,” by Rio Youers
However, a number of these works were worthy of the (Stephen) King, including "In a Pig's Eye," by Joe R. Lansdale; "La Mala Hora," by Alex Segura; "Kovach's Last Case," by Michael Koryta; "Keep the Devil Down," by Rio Youers; "Grand Junction," by Chuck Wendig; and "The Unfortunate Convalescence of the SuperLawyer," by Nat Cassidy.
“A utility worker starfished along the roadside with a throat so black and swollen you felt you could float down the river on it with a cooler of beer and some George Strait on the boom box.”
~“Lenora,” by Jonathan Janz
These stories -- among a handful of others -- made the effort more than worthwhile ... and a worthy complement to the King canon.
“‘There are no police anymore,’ she whispered. ‘And there are no doctors. There are only survivors and dreamers, and there are two kinds of dreamers. Only one of them is going to write the story from here. Which one will it be, Detective Kovach?’”
~“Kovach’s Last Case,” by Michael Koryta

