“History, however true, needs interpreting, and fiction, however invented, arises from life and reflects it.”
“What is one to do with the sadness of mortals?”
A decade since his last novel, Yann Martel delivers again with "Son of Nobody," another novel featuring a unique format and resonant emotional tones.
In the midst of a failing marriage, scholar Harlow Donne journeys to Oxford for research and ends up discovering a lost retelling of the Trojan War from the perspective of Psoas, a common soldier and "son of nobody." Parts of the tale mirror Donne's estrangement from his wife, Gail, and his separation from his daughter, Helen.
“ … To show that the past is never done with, that always there are parallels and returns and repetitions, always the song continues.”
I've long been a fan of Martel's, following up the sublime "Life of Pi" with the underrated "Beatrice and Virgil," which finished third in The Scooties in 2010. I was also a fan of "The High Mountains of Portugal" -- the winner of The Scooties in 2017.
“These footnotes have their share of things to say. Don’t neglect them. We all live lives that are footnotes to a greater story.”
This reader found himself looking for a few more insights into the dissolution of the marriage, and especially more about Gail and her perspective. But I can also see how that angle would have been difficult to incorporate into the format Martel chose.
“I loved Gail like a scribe loves a bard, like a candle loves a flame, like history loves the past, like a tongue loves speech, like a baby loves a honey-dipped finger.”
Martel interlaces the ancient poem with footnotes that document his own struggles to find a connection with his family from abroad and the growing tragedy that lurks. "Son of Nobody" is moving and clever, using its eccentric approach to overcome a narrative that can occasionally feel rushed and incomplete.
“And so the conclusion: life is a walk, and while our bodies are solid, our joints are strong, and our vision is clear, yet we walk on feet of dreams.”
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