“She looked into my eyes and hers were
swimming with alcohol and exhaustion and ghosts. She said, ‘Civilization seems
to be something we choose when it fits our purpose.’”
“Not much I could argue with there.”
“Fucking whole country’s filled with nasty,
unhappy, confused, pissed-off people, and not one of them with the brain power
to honestly deal with their
situation.”
Having
read a number of other Dennis Lehane works, I figured it was high time I took a
crack at his first novel, “A Drink Before the War.” His initial foray also
represented the introduction of the Patrick Kenzie-Angie Gennaro detective partnership/dynamic. Parts of their relationship reads like “Encyclopedia Brown”-meets-‘tween-flirt-paperbacks,
but there are enough good parts to let you know that Lehane is a budding crime
writer to be taken quite seriously.
This
quick read gets a bit self-righteous on the sidebars and race talk, but Lehane
is quite clever in how he weaves the plot through a number of explosive
variables. “A Drink Before the War” is a bleak, pessimistic read on how big-city
politics runs roughshod on the disenfranchised and marginalized in society.
Tackling
gang violence, race wars, cultural chasms, political intrigue, child porn,
blackmail and daddy issues feels like a bit much for a book of this scope, but
Lehane doesn’t shrink from the challenge. The Kenzie-Gennaro interactions take
on all sorts of submeanings, and Kenzie’s relationship with his father
overhands the entire book. There’s also a well-crafted twist that succeeds in
tying the entire novel together.
The
result is a promising first effort, and fast-forwarding to the present day, we
can see that Lehane capitalized on that promise with tremendous works such as “Mystic
River” and “Shutter Island.” The author now seems engrossed with the pursuit of
big-screen success, but seeing him digging into the mud that comprises his
roots is a welcome throwback.
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