Wednesday, November 27, 2013
Emotional "Afterlife" Video Blends Grief, Culture, Socioeconomic, Family & Generational Divides
As an Arcade Fire fan, I'm a bit on the fence about their fourth album, the dance-techno-heavy "Reflektor." But this video for "Afterlife" represents a welcome alteration to the traditional music video medium, electing for a short-movie approach that both complements and extends the song itself.
Monday, November 25, 2013
Meandering “All That Is” Lacks Substantiality to Reinforce Salter’s Pretty Prose
“There comes a time when you
realize that everything is a dream,
and only those things preserved in writing
have any possibility of being real.”
“All
That Is” landed on my desk preceded by author James Salter’s reputation for
smooth prose. And while that proved to be true, I found my reading of it
compromised by the confusion and aloofness that riddled the story itself.
Overall,
the book was a bit of a plod, making it a lengthy read. The prose featured
long, rhythmic sentences, with Salter taking the time to share in-depth
character sketching even on supposedly minor characters with bit roles. There
were some harrowing and creepy plotlines, with some incestuous leanings thrown
in for bad measure.
As
well, there were some confusing pronoun use and context problems, not to
mention some unexpected, matter-of-fact vulgarity that can catch the reader
off-guard. Some of these passages dwelled so long on the act that they entered
into awkward and uncomfortable territory. There were also shifts in perspective
that were quite sudden and arresting, picking up various strains of personal
stories that go off on seemingly unrelated tangents.
The
most problematic difficulty I encountered, however, was the lack of access into
Bowman’s mindset. As his life unfolds, there is a pervasive sense that life is
just occurring all around him, while we’re given no insight into how he feels
or what he desires. This approach is understandable in some ways, yet I feel
the story would have felt more personal and genuine with a few of these
look-ins.
Bowman
seems content to glide through life as a jaded, bit player at a publishing
house. He cheats and is cheated on; he lies and is lied to. The book began with
some intense battle imagery, but Bowman quickly journeys from war hero to antihero,
bottoming out when he gets back at one girlfriend who essentially stole his
house from him by smoking hash with and date-raping her 30-years-younger
daughter.
This
episode points up a running theme from Salter within this book: that women are
seen as things to be conquered. While this level of chauvinism may be
reflective of the era in which the book is set, it can be problematic when
combined by the gulf and distance between the reader and the main character.
“The great hunger of the past was for food,
there was never enough food and the majority of people were undernourished or
starving, but the new hunger was for sex, there was the same specter of famine
without it.”
“He loved her for not only what she was but
what she might be, the idea that she might be otherwise did not occur to him or
did not matter. Why would it occur? When you love you see a future according to
your dreams.”
“‘We’re in the middle of the woman thing.
They want equality, in work, marriage, everywhere. They don’t want to be
desired unless they feel like it ... The thing is, they want a life like ours.
We both can’t have a life like ours.’”
“She was lively and wanted to talk, like a
wind-up doll, a little doll that also did sex. Kitty was her name.”
Which
brings up the question: Are we supposed to like him? He’s some weird
combination of Don Draper and Biff Loman, but his likeability is mitigated by
lack of explanation, a dearth of details surrounding the whys of his decisions.
You
get the sense that the book is ostensibly supposed to be about finding meaning
and love, but this theme is diminished by the detachment of Bowman’s feelings.
By the time thoughts of mortality begin to enter the equation toward the end of
the book, it is almost too late. By that point, the distance Bowman has created
between himself and not just society, but by extension, the audience, is too
difficult to overcome—as evidenced in the below quote.
“Suddenly, everything had fallen away. He
had felt himself above other people, knowing more than they did, even pitying
them. He was not related to other people—his life was another kind of life. He
had invented it.”
Salter
saves his best for last, with some beautiful prose at the book’s end, which
does battle with a difficult-to-overcome lack of substantiality in Bowman and his
chosen life. His transitory existence involves going from hotel to restaurant
to party, with nothing of substance to ground him. This decision may be all
part of character building, but it left at least one reader yearning to know
more, to understand better.
Bowman
is seduced by the allure, eroticism and promises of Manhattan (“It was like a dream, trying to imagine it
all, the windows and entire floors that never went dark, the world you wanted
to be in.”), yet his ephemeral existence doesn’t allow him the permanence to
achieve—or really, pursue—any true goals. Or, for that matter, repercussions.
The
story may have benefited more by peeling back the layers of emotions that cover
Bowman. While Salter’s depictions of courtship and marriage are largely
overhung with a sense of doom and impending failure, we are given occasional
glimpses into Bowman’s true feelings about losing Vivian, of feeling betrayed—mostly
of his own doing—by a steady line of women.
“He lay there unwillingly and sleepless, the
city itself, dark and glittering, seemed empty. The same couple, the same bed,
yet now not the same.”
“How did it happen, that something no longer
mattered, that it had been judged inessential?”
“He saw them now for what they were and had
been, the great days of love.”
Bowman
seems to possess a quiet desperation that is more hinted at than revealed. It’s
also possible that his lack of a father figure—not to mention his
borderline-disturbing relationship with his mother—tainted his dealings with
women.
“At a certain point also you began to feel
that you knew everyone, there was no one new, and you were going to spend the
rest of your life among familiar people, women especially.”
At
the end of the day, I felt “All That Is” was somehow diminished by its lack of
perspective and its disjointed nature. In addition to issues with how often it
jumped around, it was hard to reconcile Bowman’s journey from war hero to
douche due to the lack of insight we are offered into his thought process.
Also, gender-expectation concerns aside, eroticism vs. creepiness can be a
difficult balance to pull off decently, and I thought Salter struggled there.
It’s
hard to ignore the brilliance in some of Salter’s writing, but for me, the
seeming aimlessness and oddity of the story outweighed the prose in dragging
down a promising novel.
“The power of the novel in the nation’s culture
had weakened. It had happened gradually. It was something everyone recognized
and ignored. All went on exactly as before, that was the beauty of it. The
glory had faded but fresh faces kept appearing, wanting to be part of it, to be
in publishing which had retained a suggestion of elegance like a pair of
beautiful, bone-shined shoes owned by a bankrupt man.”
Friday, November 22, 2013
Limerick Friday LXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXIV: A Half-Century Since My Mom’s Hero Passed, Plus An Emotional Farewell On “Person Of Interest”
50 years have passed
Since the nation left aghast
Hate won out in Texas
A killing that continues to hex
us
Thoughts of what might have been
last
A WTF loss for hoops
In football, playing like poops
Tough times in Raleigh
Head shaking and murmurs of “gollee”
Hope Pack Nation can regroups
Dan Dierdorf leaving? Great
Cliché after cliché he did state
The “Master of the Obvious”
retiring
Miss his bloviating and
perspiring
Just about 15 years too late
Behind him the ‘Noles did rally
Frat Fred and Sorority Sally
They crowned him as famous
The now-infamous Jameis
Some type of fraud continues in
Tally
An unexpected kiss shared
John’s job just got harder
With shocking murder of Carter
“Person of Interest” made us
care
Labels:
ACC,
Limerick Friday,
NC State Basketball,
NC State Football,
Politics,
TV Talk
Tuesday, November 19, 2013
Monday, November 18, 2013
The Undefeated Dolphins, A Role Model, A Bygone Era, And Even Making Glasses Cool (& Easy): Griese’s “Perfection” Had It All
“Over the years, people have asked what made
our team special, and I can’t offer a secret or a magic pill or a motivational
catchphrase. I return to the same themes: we had Hall of Fame talent and
coaching, and we had forty players on the roster in proper roles, who accepted
those roles and who made winning plays from those roles every week.”
“[Shula] demanded that he we be the team we thought
we were.”
Flash
back some 30-(ahem)-plus years, and I’m 8 years old, told I have to start
wearing glasses and none too happy about it. I’m told the story of one Bob
Griese, who not only wears glasses, but played quarterback in the NFL for the
freaking Miami Dolphins while wearing
glasses, and even better, was one of the league’s very best. Suddenly,
wearing glasses is OK. Suddenly, Bob Griese is my hero. Suddenly, the Miami
Dolphins are my team.
Not
so suddenly, I’m in for a lifetime of fandom heartache. But that’s a story for
another day.
My
Dad had attended grad school at Purdue, the alma mater of one Bob Griese, so
there was already a connection there. Throw in the fact that he wore glasses
and looked like a scientist out there using his mind to bend 300-pounders to
his will, and I was on board. Then a “Cool ‘N’ Easy Bob Griese” shirt was
presented to me, which I proceeded to wear roughly 629 days in a row.
By
way of prelude, this is not a fast segue into the fact that I recently read
Griese’s book, “Perfection: The Inside Story of the 1972 Miami Dolphins’
Perfect Season.” The quarterback-turned-announcer wrote it with my favorite
sportswriters, Dave Hyde of the Ft. Lauderdale Sun-Sentinel, making this work a
marriage of a few of my favorite things.
Forty
years later, Griese took us back to a time when players actually had offseason
jobs, when coach “The” Don Shula essentially invented situational substitution,
when quarterbacks were seasoned on the vine and painstakingly developed, when
drafts were afterthoughts, and when a lack of media obsession allowed teams to create rosters chock full of insane personalities and crazed characters.
“What did everyone say about Shula? That he
had a high tolerance for another man’s pain?”
Before
Griese and Shula arrived, the Dolphins were a bumbling expansion team, operating
in the equivalent of an NFL outpost, largely ignored by its hometown. Within a
few short years, Griese was being propositioned by actresses in his role as an
offseason realtor (an anecdote that started the book on a rip-roaring note) and
the Orange Bowl had become arguably the biggest home-field advantage in the
league.
“In my first few years in Miami, pro
football was background music in a resort town ... Then Don Shula arrived as
coach, and everything changed overnight. He showed how one person can change the
entire dynamic of a team.”
“By 1973, we had that many season-ticket
holders—the most ever for a pro sports franchise—and the publisher of Sports
Illustrated wrote, ‘Possibly no city in
the United States is as maniacal about one team as is Miami about the
Dolphins.’”
From
there, Griese goes on to share harrowing, oft-hard-to-read tales of the utter
disregard players had for their own health (players referred to the local hospital
as the “Mercy Hilton,” they spent so much time there), how that disregard has
destroyed quality of life for so many of his ex-teammates, the prevalent usage
of uppers and stimulants, and the evolution of race relations within the team
and league dynamic.
“There was this locker-room culture that
pain was negotiable but victory was everlasting.”
On a
personal level, Griese explained the scientific approach he took to quarterbacking,
a tact he took primarily due to the lack of coaching he received early in his
Dolphins tenure. He wrote about going to each member of the offense for input
into the gameplan (rare at that time), and how his always-underrated
athleticism allowed him to survive the disastrous early years. He touched on
how much scouting has evolved, how offensive and defensive coaches actually
used to work together, how Steve Spurrier’s off-putting personality played a
role in Griese landing in Miami, how mercurial GM Joe Thomas put his stamp on
the Dolphins, and how Bill Arnsparger helped to change the entire landscape of
defensive football by creating the launch point for zone-blitz schemes out of
necessity.
“In Arnsparger’s eleven Dolphins seasons
with Don Shula, the Dolphins’ defense ranked first or second in the league nine
times.”
“Every bit as close to a genius in his field
as Einstein was in his,” Buoniconti added.
He
told incredible tales of the drunken visionary, owner Joe Robbie, who was once found passed out in the closet of the owner’s box; the lawyerly linebacker,
Nick “Boo” Buoniconti; and the detailed offensive line coach Monte Clark, who
painstakingly put together a great line from scratch and unheralded, overlooked
players, then entertained everyone with colorful one-liners:
“Sympathy,” he’d tell anyone making an
excuse, “could be found in the dictionary between ‘shit’ and ‘syphilis.’”
“‘The Mushroom,’ Monte Clark began calling this
rebuilt offensive line, because its players ‘sat in the dark and ate shit,’ as
he said.”
He
also wrote extensively about offensive coordinator Howard Schellenberger, who
essentially took a hands-off approach, allowing Griese to run the entire
offense by himself; quiet-yet-spectacular wideout Paul Warfield, with whom
Griese had an uncanny synchronicity; and the unlikely tandem of Larry Csonka (who
once knocked three New York Jets defenders out of a single game by himself) and
Jim Kiick, bruising running backs who were as punishing off the field as on (“Kiick and Csonka,” an anonymous AFC coach
told Sports Illustrated before the
1972 season. “You can’t spell ‘em and you can’t stop ‘em.”).
“Players sat in film sessions each week,
watched him purposely run into opposing defenders, and joked, ‘Way to find the
safety, Zonk!’”
“When he goes on a safari,” line coach Monte
Clark said, “the lions roll up their windows.”
The
signal-caller also offered insights into the cheap pursuit of individual records
by O.J. Simpson and the Buffalo Bills:
“Down 17-0 in the fourth quarter, Buffalo
kept handing the ball to Simpson. He was committing the team sin of lifting one
player’s goals above the day’s mission statement of winning. The Bills, after
all, discussed openly the hope of Simpson breaking the NFL’s single-season
rushing record. He would that season, too. He gained 2,003 yards. But at what
expense?
“You assholes!” Buoniconti yelled across the
line.
“When Simpson crossed the 100-yard barrier,
the Bills actually began to celebrate on the field.
“You stupid bastard,” Fernandez shouted to
guard Reggie McKenzie. “Look at the scoreboard!”
Griese
also wrote openly and bravely about the broken leg he suffered during the course
of the season, an injury that resulted in lineman Norm Evans—who mistakenly
thought he missed the block that got Griese hurt—standing along a highway in
tears, saying, “I cost us the season.” That emotion demonstrated the bond on
the team and what they felt they owed one another, paving the way for vastly
underrated quarterback Earl Morrall to carry the torch in Griese’s lengthy absence.
The
understated Griese even shared the inevitably that came along with the Super
Bowl against a vastly overmatched Washington Redskins team: “As I reviewed the plays, there was no doubt
in my mind that we would win this game. And win it easily ... I said little
reporters all week. But inside, I swaggered.”
“In the locker room ... no one talked of the
undefeated season. It was the title we cherished. The ring. This moment when we
were the best.”
Griese
and Hyde set the story against the backdrop of each game of the 1972 season,
crafting a compelling narrative that allows the freedom to tie a number of
issues into the storyline. The format works, putting the actual games well into
the background while allowing the inside view of life on the best team in the
NFL to carry the day. There were a few grammatical errors along the way, but
the clean writing, natural flow and engrossing tales combined to create one of
the best sports books I have ever read. Well, I guess the subject matter didn’t
hurt for an admitted Miami Dolphins fan (which is much harder to admit to these
days than it was 40 years ago).
For a
kid who didn’t want to wear glasses and then found a role model in Bob Griese,
this was a book that transported me back quite a few years. “Four decades later,
I still hear those cheers,” wrote Griese.
And
so many years later, I’m still grateful for the privilege of being among those cheering.
Friday, November 15, 2013
Limerick Friday LXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXIII: Douchebag The Hutt Haunts Toronto, Plus Dolphins Press Self-Destruct Button
A crackhead bottomless pit
And a fat piece of shit
This is Toronto’s mayor
Hate to be a taxpayer
Rob Ford is Canada’s latest zit
Close losses rule the day
Five in a row, though? Oy vey
Of the QBs, I do warn
They can’t hit the side of a
barn
Can the Pack finish and find a
way?
Fantasy football, what the hail
Every year without fail
Favored by 40, but no luck
Leaves me sayin’ what the f%$k
It’s inevitable, but I won’t
bail
Night is coming much quicker
Flu season makes everyone sicker
The holidays quickly approaching
Spirits, they are encroaching
Need lotsa eggnog with liquor
A team without an identity or
star
From relevance, the franchise is
far
The Dolphins are a laughingstock
Very easy to bash and mock
Rock bottom? Oh, there you are
Wednesday, November 13, 2013
Somewhere Only We Know
Apparently, this John Lewis advert is all the rage among my British colleagues this week.
Merry holidays ...
Monday, November 11, 2013
The Humanity Zone
For a game under siege, a timely reminder of what it could and is supposed to be ...
Friday, November 08, 2013
Limerick Friday LXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXII: Rock Bottom Gets Even Stranger For ‘Fins, Plus Stretch Run Upon Us In FF
The problems, they’re a bundlin’
So this is what the ‘Fins are
fundin’
A ‘roid ‘neck bullying the lame
A douche subpoenaed post-game
Leadership? Hell, send the team
to London
Unoriginality ruled the day
Then EZU tried to enter the fray
An afterthought bonding with the
Heels
Over cheating and being hurt in
the feels
It’s Duke’s state anyway
Twitter went IPO
How high would it go?
Once a 140-character joke
Now makes you rich or broke
Can’t ignore it anymore, yo
State season off the tracks,
dear
Can’t throw, that’s pretty clear
A trap game for Duke?
Makes me wanna puke
How the F did we get here?!
Bolstered by the occasional
trade
Assembled a contender
Hope not a pretender
Let’s just avoid a late-season fade
...
Wednesday, November 06, 2013
Deep Thoughts By No-Look McFadden: Episode 69
#1
OK,
yeah, so I could totally buy this assessment of Ohio State fans ...
#2
I
think I have to agree with Sean Wilentz of Rolling
Stone, who wrote this about the de-evolution of journalism, which echoes
some of what the TV show “Newsroom” tries to depict:
“At some point
over the past 40 years, the bedrock principle of journalistic objectivity
became twisted into the craven idea of false equivalency, whereby blatant
falsehoods get reported simply as one side of an argument and receive equal
weight with the reported argument of the other side.
“There is no
shortage of explanations for the press’s abdication: intimidation at the rise
of Fox News and other propaganda operations; a deep confusion about the
difference between hard-won objectivity and a lazy, counterfeit neutrality; and
the poisonous effects of the postmodern axiom that truth, especially in
politics, is a relative thing, depending on your perspective in a tweet.
Whatever the explanation, today’s journalism has trashed the tradition of
fearless, factual reporting pioneered by Walter Lippmann, Edward R. Murrow and
Anthony Lewis.”
#3
When
the whining around what color the grass is painted at midfield is more
strenuously contested than the actual game, you know you’re watching college
football in North Carolina.
#4
If
you’re a true “Seinfeld” fan, I defy you to pronounce Roy Helu’s name without
thinking of this “Seinfeld” episode.
#5
I
don’t know who Ruby is, but she had a rather awesome “Star Wars” party.
#6
Most
of life/the world is rigged. Accepting that and just trying your best would
appear to be a big part of finding happiness.
#7
I
often wonder what we’d do without the insights gleaned from science: A study
indicated that men really do ogle women’s bodies. Also, this:
“Those bodies
with larger breasts, narrower waists and bigger hips often prompted longer
looks.”
Science
at its most essential right here, folks.
#8
Watching
“Legendary Nights” documentary about Arturo Gatti and Mickey Ward, I gained a newfound
respect for Jim Lampley, a guy I had a hard time embracing as a commentator.
Lampley was openly weeping when talking about Round 9 of Gatti-Ward I, to be
followed in tears by Larry Merchant, the referee and essentially everyone
involved in this emotional piece.
#9
To
those who struggle with leaving the wee ones behind every morning, “The Lamentof the Working Parent” rings both true and timely ...
#10
I
think Robert Kirkman of the “The Walking Dead” hit the nail on the head on our
society in this Rolling Stone
interview:
“A hundred years
ago, we were living in houses we built, growing food we ate, interacting with
our families. That’s a life that makes sense. Now, we’re doing jobs we don’t
enjoy to buy stuff we don’t need. We’ve screwed things up.”
Monday, November 04, 2013
Useful “Minimalist Parenting” Would Have Benefited From Some Subtle Tweaks
Having
recently reached a milestone birthday, nothing cemented my crash landing into
middle-aged-dom more than my voluntary decision to purchase and read “Minimalist
Parenting,” by Christine Koh and Asha Dornfest.
After
checking my family jewels gender identity at the
door, I embarked on this book, which was billed as a way to “enjoy modern
family life more by doing less.” Which, I must admit, is a rather compelling
idea.
This
work suffered from a lack of art and pictures, and with so much copy staring at
you, it came across as dense in areas. However, it did contain some good advice
and tips—in particular, some cool apps I hadn’t heard of—and did offer tons o’
resources.
The
humorous tone of my intro notwithstanding, though, I did find the book to be a
bit exclusionary, in the sense that it spoke directly to women. Which is not
completely surprising, of course, but I found it a bit short-sighted when
placed in the context of the goal of the book.
That
being said, the messages of being inundated with too many choices and
obligations, optimizing your life, eliminating the unnecessary, and clarifying what
value and priority means to you certainly hit the mark. Faced with a dearth of
quality time already, it’s hard not to remember one of the lessons of Ferris
Bueller: “Life moves pretty fast. If you don’t stop and look around once in a
while, you could miss it.”
From
decluttering to retirement plans to time-saving tricks, “Minimalist Parenting” achieved
a pretty good balance between useful direction and New Age-y validation. While
it could have been improved with more inclusive language and more welcoming
design elements, this book was worth the read for a parent seeking honest
self-improvement and a more rewarding home life.
Friday, November 01, 2013
Limerick Friday LXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXI: More Brody, Less Dana, Plus Wake Grants A Franchise Reprieve
“Homeland” is wounded and
bleedin’
More action, it’s needin’
No Brody, I can’t explain-a
But please, no more Dana
I’m beggin’ and pleadin’
Another disappointing story
About fading McIlroy, Rory
Trying to silence a Tiger critic
About cheating and being a cynic
Pick a better role model for
glory
The roof it does leak
Week upon week
Like the talent drain
A company in pain
In case it’s symbolism you seek
Four years have passed
So make memories last
Today, you’ve made a Dad out of
me
Bless us, the time goes fast
Up went a collective grown
As another big lead blown
So much at stake
Enter Cam Wake
Won the game and threw Philbin a
bone
Labels:
A Long Walk Spoiled,
Limerick Friday,
Miami Dolphins,
TV Talk
Subscribe to:
Posts (Atom)